Princess Principal was an action-adventure highlight of Summer 2017, and a big part of this resonance with the fandom was undoubtedly the high-octane musical identities afforded to the production by its arranger/composer duo of rising star Ryo Takahashi (ACCA: 13-ku Kansatsu-ka, Classroom of the Elite), and prolific veteran Yuki Kajiura (Kara no Kyoukai, Fate/Zero, Sword Art Online, ERASED).
The following is a translation of the interview conducted with the two composers by Natalie Music.
Ambient storytelling is brought up constantly when one talks about the affect of mythos and world-building in fiction. For a narrative to be immersive, the storied vision requires layering and textured detailing of the seemingly irrelevant, so the illusion of malleable reality can be made more effective.
After taking a year off this format while I readjusted to the fandom and determined how I should follow seasonal shows, the seasonal first impressions is back, and it is now a much more casual setting: no more ratings, staff/genre run downs and a shorter length.
I will quickly brush over the sheer genre-centric unexpectedness that Demi-chan has for its runtime thus far, and move on to reject this relationship that the audience supposedly has with the show as its main pull. Because it’s not what’s unexpected of the ecchi/monster girl ‘genre’ or their ‘typical production aesthetics’ that brings forth the metaphorical goodwill that Demi-chan exemplifies. Rather, the inorganic realism that the show flaunts almost ironically in regards to ‘cross-species’ human and societal relationships, is the main ingredient that elevates the experience to a higher plane of optimistic warmth.
In my first EVER paycheck this month, I earned more than Mum if we both worked the same number of hours that week. Most people would leave this milestone behind as something to be proud of: after all, Mum now has another source of pride for her son.
However, in an eventual spiral of emotions ranging from pride, eagerness to spend everything I just earned, and bittersweetness; since this milestone means another step towards total independence…I eventually arrived at that familiar door of guilt again. Remember my stories from last month?
As common courtesy, I shall extend my praising hand towards a few bloggers who have intrigued (and shamed) me with their writings. I suppose I left it boiling there long enough, so I could use this opportunity to write a few notes about this blog’s 1st birthday as well.
As the nominees, you will:
Acknowledge the person who nominated you (and include a link to her/his/their blog)
Share 7 things about yourself
Nominate 5 bloggers (I searched around the web, the number here usually switch between 5, 7 or 10, so take your pick of your lucky number.)
As the central branding message surrounding the entire company, Microsoft’s 2014 (and still ongoing) multimedia campaign and its tonal stage-setting relies on the narrative implications of a single word: ‘Empower’. Thus, the campaign can be perceived as a hybrid brand establishment attempt by Microsoft, in solidifying its name and association within a worldwide humanitarian, innovative enterprising and creative paradigm. As one of the most recognisable brands in the world, Microsoft’s popular public image is a global but impersonal one.
Desire is an individualistic emotional construct that can almost ironically be considered the direct sibling of society-binding cultural norms, that indoctrinates individuals into adopting a collective mindset that does not stray far from the ‘normal’. What society deems desirable; however logical, the individual must desire as well. Individuals are constantly affected by the sometimes silent, but always prevalent pressures to buy, reshape and realign themselves back into the collective, popular narrative.
So it has been a blast, coming to grips with this whole blogging thing, it is perhaps the most fun I’ve had when I shut myself in my own room for hours on end (second only to- never mind. Read on). I’ve enjoyed the analytical and creative freedom, as I poured all my technical jargons and self-indulgent observational skills into series thesis and sarcasm-filled impressions.
The thing about choosing home cities and time zones: The mere fact that you live 12 hours in the future of most U.S. release dates (which for some reason, are all the important ones for Pop culture), means that sometimes, you get to be part of a worldwide Funomenon (shameless plug haw haw haw): being among the first in the world to watch the newest Star Wars film. Interestingly enough, the most bizarre thing about this entire adventure saga for me personally, actually came from the ticket booking incidents. Sure, I will talk about my thoughts on the movie (FYI it was good, so no worries!), but being the ranter that I am, I need to start from the beginning: how a Star Wars casual scum suddenly decided to supposedly fight teeth and bones to watch the film on the 17th of December, a day ahead the rest of the world?
The renowned director’s newest film, Kimi no Na wa | Your Name, will be debuting August 2016, featuring staff including Movie Director Shunji Iwai (Hana to Alice: Satsujin Jiken) and main casts, Ryuunosuke Kamiki and Moka Kamishiraishi.
Tagline of the key visual: I am searching for you, whom I have never met yet.