As active documenters and expressive anchors for their respective time periods, artists and creative practitioners all demonstrated engagements to the mechanics and characteristics of their time, which are in turn reflected by how they build upon their works, through utilizing tools and technologies of their time. As a result, significant advancements in human technological capabilities are readily reflected upon by artists, who finds new frames of perceptions for their audiences to experience their artworks, and find meaning through and from new mediums of expressions and sensual cues.
Warning: Against my conventional tendencies, a considerably increased amount of cursing will be circulating around this particular publication, and won’t be censored. Naturally, reader discretion is advised.
It’s impossible, really, when it comes to determining what you loved more, after walking out of an opening day Deadpool showing: the film’s disregard for superficial rules, Deadpool being the biggest asshole, the crowd who laughed because you laughed at a joke that only you got (well…that WAS the hope), or when you laughed in an instinctive response to the audience’s laughter: attending film viewings with huge crowds can be the most amazing thing, if you somehow managed to find a balance between an audience with lively and responsive dispositions but also a crowd that’s respecting and understanding about NOT BEING A FUCKING LOUD AND DISTRACTING ASSHOLE. Sydney crowds do a generally good job with that…well, at least with my measuring balance being American crowds, as narrated by Youtube film critics.