Funomenal Rear-view Contemplation: Best of Film & Game Music 2016

And to think I don’t have to write any more words about film music for the rest of my life…”You’ve written more than enough“, some might say.

NOPE.

Like I always say, there’s something inherently magical about film music. I wouldn’t miss it for all the unoriginality (I prefer the word ‘homage’) that it so proudly displays at every glorious turn or twist. So. Let us have our 7 minutes and 38 seconds of pure bliss, away from the politics, away from 2017. Let’s go back to 2016 for just another few moments.

(Yes. You can pretty much guess my winners from just reading the above paragraph.)

Read More »

The Undine That Guides Me | Aria’s First Evergreen Ballad and the Undercurrents of its Melody

There is a sense of idyllic rhythm that Aria exerts when one allows him or herself to engage with its cinematic heartbeat. It’s obvious: everything has its own rhythm, its own footprint, when it makes contact with another existing entity. If one takes this idea far enough, existence is just another way to visualise and define relationships. And creating rhythm is but another expression for finding uniquity.

Read More »

The Sound of Christmas | The Music, The Spirit and the Magnificent

You know that time of the year, when suddenly jingle bells (the actual thing…and that damn song) started appearing in every shopping mall you visit? The television channels starts to air cheesy Christmas-themed comedies and cartoons every 7pm (I think this is the 9th year in a row I remember seeing Elf staring Will Ferrell getting a re-airing on TV), and you start to overhear Michael Bublé-performed Christmas carols being played in car radios as you strolled along your home street.

Read More »

A Melodic Comparison: Film Music’s Many Invaluable Personalities | Joe Hisaishi, John Powell

(Page numbers are below the ‘related articles’ section. Please excuse its odd placing, as WordPress doesn’t allow me to alter its position.)

Note: this publication is a highly extensive and lengthy endeavour that invite readers to refer back to for analytical ideas. In other words, it is written with a sea of wiki-style links to additional readings, clips and videos, endless subject matters, tangents and covers a lot of ideas. I recommend that you bookmark this page for future reference, whenever you feel the need for some creative writing ideas, or just some music-based observations you find difficulty in analysing or putting your ideas into words. I hope my efforts help you in that regard.

A few months ago, I went on a tweeting rampage:

(You can find the entire tweet thread by clicking the time & date stamp.)

Read More »

So a Cowboy Came Knockin’ On My Soul’s Door | Pondering Over Bebop’s Final Goodbye

This is NOT an analytical piece. This is a raw and unfiltered self-meditation, as I find writing with no aim nor external audience in mind to be rather calming and self-satisfying. If you want to take a peek at me in my most creatively pure state, this is not a bad place to start.

Emotions, feelings and our comprehension of the world around us are the groundworks of each individual’s existence. In many ways, I am a person who’s flawed, afraid of the world’s lingering shadows, questions the nature of each flickering light and is very much wary of the superior forces that are far out of my reach and understanding. I’m afraid of what I don’t know, but sometimes I’m even more afraid to learn the truth.

Read More »

Analysis in Retrospect: Piano no Mori | The Expressive Core of the Piano

Alternative Titles: The Perfect World of Kai, The Piano Forest

Director: Masayuki Kojima

Animation Production: MADHOUSE

Music: Keisuke Shinohara

Genres: Slice of Life, Music, Competition, Supernatural

Year: 2007

Disclaimer: the societal commentary present in this publication are all the writer’s own personal observations and opinions. No journalistic or scholarly value and sources are cited nor present (unless stated otherwise).

Read More »