For my second and final venture into the best of anime 2016, I determine the overall winners of the year.
Yes, for whatever reason, ATMA & Funomena is still alive and kicking. I also got into the elites’ club by being featured on the ThatAnimeSnob Reddit board. Truly an honour.
2016 was a horrible year (yes I’m one of those, deal with it) that was unfashionably kind to me as a blossoming anime fan and…maturing adult (somehow, these two do go hand-in-hand for me). I got myself a new (and first) decent-paying job, I started collecting anime, music and film merch like crazy. I watched too much anime.
For my third and final venture into the best of anime 2015, I determine the overall winners of the year.
Below are my meticulously considered titles and studios that will be competing for and winning the Funomenon Globe (Took me 5 seconds to come up with this name…so it’s AWESOME. Design & 3D render pending.) for Best TV & Film Soundtracks, Top-Performing Studio and Favourite Anime of 2015.
For Part II, I decided to have a little fun, with highlights for not just my favourite -deres and pretty boys, but also my picks for the year’s most memorable, notable and absurd ships, good and bad.
Strap yourselves in, folks, in case you are angered that your yaoi or yuri fantasies weren’t fulfilled. (and incest isn’t wincest…unless I say it is.)
(What’s with people rushing their top lists…even the Oscars are STILL contemplating on last year, and how to stump poor ol’ DiCaprio…)
Some mindless yapping first.
About a few weeks ago, I marked my first year anniversary as a regular anime follower. What has always amazed me by myself (yeah…self-centred asshole…), is how quickly I can adapt and project myself into new fandom communities: it took me one photograph to fall in love with photography, it took me a few days and a few dozen albums to fall in love with film music. It took me only a year to complete basically enough anime shows and films to sustain long conversations with people, who have been following anime for years. I completed no less than 100 titles, OVAs and films in 2015, around 37 days’ worth of content (or 53280 minutes), and have familiarized myself with enough anime-isms to be able to analyse in-depth and engage in fanboy arguments during my university’s anime society get-togethers. Overall, anime has greatly improved my enjoyment of life: I have one more passion to engage with other people of common interests, and good animation satisfies my love for great art. I am thankful for that.
(SPOILERS! It’s a bloody reaction post, sir, do try to notice the flipping obvious…)
Let me steal a bit from my own previous publication: Haruchika shares waaayyyyy too much incidental similarities with BOTH Hibike! Euphonium AND Hyouka. And for me to just…ignore it, is simply injustice.
Well, after watching one episode, the overlapping just increased a notch. After identifying that Haruchika is about a mystery-solving brass instrument band club…with a name that ALSO starts with an ‘H’, P.A. Works’ latest NOVEL adaptation also introduces another certain dynamic, one which also plays in an eerily similar manner to Hibike’s romantic situations…
A Year With a Lot of Reawakenings
Allow me to temporarily defect to the West once more, as I look over how 2015 has treated my other passion: film music.
(MINOR SPOILERS FROM TV SERIES AND OVA)
Perhaps the best way to describe Kyoto Animation’s venture with Hibike! Euphonium is by literally contradicting myself: it is a work of complex simplicity. The emotional dissonance that exists, when a large group of individuals come together is typical of the atmosphere that you may find in a musical ensemble. Long story short, this OVA works as an alternate perspective provider on the emotional climax towards the latter end of the series, and it does it superbly.