Opening remarks: I originally intended this piece to be a particularly academic-driven one…digging deep into the likes of Mark Lochrie & Paul Coulton’s article on shared viewing experiences or ‘Social TV’ and ‘Second Screen Devices’, and Alice E. Marwick’s paper on ‘Imagined Audiences and Context Collapse in Microblogging’. Elements of these studies are still retained in the final product, but I decided to keep discussion more centred on Dragon Maid and my own experiences in watching it…and ultimately deciding that it is an absolute new favourite.
There is a sense of idyllic rhythm that Aria exerts when one allows him or herself to engage with its cinematic heartbeat. It’s obvious: everything has its own rhythm, its own footprint, when it makes contact with another existing entity. If one takes this idea far enough, existence is just another way to visualise and define relationships. And creating rhythm is but another expression for finding uniquity.
Note: Spoilers for both Grimgar and Re:Zero are aplenty.
I appreciated Grimgar Of Fantasy and Ash after watching it to completion recently as a semi-marathon. For the most part, its character studies and the evident focus on atmosphere and a sense of place; rather than the much more often tread adventure fantasy with a clearly defined end goal of saving the world, has given the series a muted presence that ironically made its voice project louder amongst all the background noise. Similar things can be said about Re:Zero, now that it has finished its prolific rampage across the fandom’s collective stream of consciousness…though the reasons behind its highly resonant dual-season run were in complete contrast to Grimgar, as it projects its agenda of social commentary with unrelenting shamelessness and sincerity. In the end, while both series has no doubt invited significant viewership, and inevitable controversy on their respective handling of narrative delivery, I found myself once again standing right in the middle of the crossfire: appreciating what both shows have so admirably achieved, while also contemplating about their various failings.
Incidently, this is the second and last article I managed to rescue from UnimeTV’s server crash.
(Note: This publication deals with season one, with some limited discussion about Bishamon’s arc in Aragoto. I will try my best to present a narrative that is fair and concise, from the perspective of a largely non-religious background, but also as someone who does helm interests in various teachings from multiple religions worldwide.)
Trying out a new jam for this season: instead of having a two-parter half-season overview, I will write up a first impression post one week into the season and pick out a few shows worth talking about for a condensed half-season overview. As for the end-of-season write-ups…I’m not sure about them yet, since I tend not to complete shows on time before another season starts up.
I will be adopting the overview’s rating system, but for the first impression, only shows that I have made clear conclusions for will be given a rating.
Now, with the introduction out of the way, these are the shows I’ve taste-tested thus far.
So Subaru got his wish: he got to cry in his favourite girl’s lap. If I was being honest, Emilia’s first introduction as Satella, her overly nice disposition and her seemingly blind belief in Subaru, had started to make me suspicious…I’m hoping that I’m wrong of course, but might as well put up shields while I still have the time.
In terms of the narrative flow thus far, episodes 8 and 9 achieved strides in key story beats that helped progressed the plot in a steady pace, while also expanding the mythos of the world.
Enjoy the read. UnimeTV link
By golly, 6 months in and I’m still keeping this up.
And yes, I realize how late this is. My apologies: a slew of life-related issues has hampered my potential output during the past 2 months, which has a been a period of both highs (I managed to write some of my best work for this blog) and lows (workplace arguments and private family issues).
Unlike Winter, Spring 2016 looks to be a season dotted with multiple flagpoles of dominance, both in terms of genre devotion and popularity contests. ERASED dominated the dialogue of Winter 2016, with voices raised as the community were seemingly split over its visually deliberate storytelling and the apparent incomplete plot progressions. While I may still be hesitant in joining the collective in terms of choosing the season’s best offering, it is my belief, that the slice of life genre has received one of its biggest and strongest showings in recent memory, as multiple titles eagerly showcased the wide ranging personalities of the genre in glorious fashions, though some may have bitten off more than they could swallow.
Nevertheless, Spring 2016 looks to be another varied and strong anime season, and the optimism is only heightened by what awaits later in the year (Yamada-san, crush them all when Fall arrives.)
Yeahhh…so a multitude of issues during the last few weeks kinda kept me from the keyboard again: a combination of family issues and a certain feeling of lack of inspiration, after I managed to churn out a ridiculously wannabe-scholar piece on Piano no Mori, and following that up with a ‘talking about life’ piece on Cowboy Bebop. I think I might’ve overspent myself a bit.
So yeah, I’m back and this time, I’m tackling four episodes of Re:Zero. Trust me, the locations of episodes 4 to 7 may be stagnant, but somehow, the series kept it interesting, with episode 7 being its most consistently serious one yet. Despite the minor shakeups with pacing and logic jumps, Re:Zero still stands proud as a relative highlight of this season.
Enjoy the read. UnimeTV link
Ahh…so this series is going for a fantasy adventure vibe. I kinda dig it!
The plot-specific developments of the story thus far, has sold it as a journey-centric mystery, focusing on the historical intrigues of the characters and the fantastical power plays of this world. In this publication, I decided to focus a bit more on our main character Subaru, since I find his balance of genre-savviness and lack of good fortune (getting killed twice by one crazy woman? The ultimate friend zone) really interesting on a characterisation level.
Enjoy the read. UnimeTV link
Slowly easing my way back, here’s another one I’ve written for UnimeTV.
Wanting to add some more flare into my blogging life, I decided to take upon the obligation of trying out a biweekly review schedule for the Spring 2016 anime series Re:Zero. Without skimping on quality and the level of detail I dictate myself upon, I now have a baby that I really DO need to nurture constantly. Or the bossmen will kill me.
Anyways, I had a blast analysing the first Re:Zero, episode: plenty of underhanded self-awareness, subtle world building and the usual hair-raising ending hooks that begs one to want more (or…turn away in disgust, with their eyes rolling towards the back of their skulls). Needless to say, I recommend fantasy lovers to give it a shot, might be fun.
Enjoy the read. UnimeTV link
I really shouldn’t be calling this half-season anymore, huh…
Eh, whatever. ONWARD!
To no surprise for this aniblogger, anime is alive and well in 2016, and has shown to still have a couple of aces down its sleeve, even if a few of them were misplayed during this still ongoing match. Rather unsurprisingly. the collective crowd has already crowned their champion of the season, despite being just halfway into Winter 2016, leaving behind straggling titles who were overlooked for their limited appeal in subject matters, but were no less intelligent and artistic in their ability to captivate the more observational consumers and gem miners.
Let us delve into the Winter season through my eyes, as I glance back into the 7 weeks that has just passed.
I believe in the practice of casting a wide net from the get go, to reel in the best catch. Granted, I will have to deal with a multitude of indigestible garbage and an occasional shopping cart or human carcass, but this way, I can taste-test a wide range of shows, before settling with what to follow, drop or slot into my watchlist.
It’s because of this practice, that I usually start the season running with a dozen shows at least, before it dwindles into 3 or 4 shows I will still be following weekly after 5 or 6 rounds. The shows I stopped following and my reasoning vary, from ‘It’s not my type of show’ to ‘this will look great on 1080p BD’… or ‘This is too epic to NOT marathon’. There’s also added dilemma in what shows work better with a English dub. Then there’s the always fascinating slew of Funimation broadcast dubs. We are definitely in the future.
The thing about choosing home cities and time zones: The mere fact that you live 12 hours in the future of most U.S. release dates (which for some reason, are all the important ones for Pop culture), means that sometimes, you get to be part of a worldwide Funomenon (shameless plug haw haw haw): being among the first in the world to watch the newest Star Wars film. Interestingly enough, the most bizarre thing about this entire adventure saga for me personally, actually came from the ticket booking incidents. Sure, I will talk about my thoughts on the movie (FYI it was good, so no worries!), but being the ranter that I am, I need to start from the beginning: how a Star Wars casual scum suddenly decided to supposedly fight teeth and bones to watch the film on the 17th of December, a day ahead the rest of the world?