There is a sense of idyllic rhythm that Aria exerts when one allows him or herself to engage with its cinematic heartbeat. It’s obvious: everything has its own rhythm, its own footprint, when it makes contact with another existing entity. If one takes this idea far enough, existence is just another way to visualise and define relationships. And creating rhythm is but another expression for finding uniquity.
I don’t really have an absolute favourite show last season. I mean, if we were speaking in MAL scoring terms, nothing I finished in the Summer season I would score above a 7, if not the hypothetical 7.75/10.
Granted, I started but never finished Mob Psycho 100 (I know, I should. I will. Eventually.) I also never finished Sweetness and Lightning, and that’s a show that tugged at my heartstrings numerous times in just three episodes.
BUT. Moments. There are moments in shows that spoke volumes to me, whether its on a immediate emotional level, or on a more…philosophical and worldview level.
(Due to UnimeTV’s servers having major issues, all my posts there have been deleted, though I managed to salvage two of them. So here they are.)
Talk about the ultimate late bloomer.
The anime adaptation of Amanchu provided the creative canvas for a highly anticipated reunion of mangaka Kozue Amano (Aqua / Aria) and Satou Junichi (Aria the Animation, Princess Tutu, Tamayura) as chief director. The two individuals’ collaboration on the Aria series has deemed it one of the most highly acclaimed titles in the Slice of Life mega-genre, held in high regard for its rich and atmosphere-based storytelling, detailed and gorgeous setting design and immersive thematic explorations of human compassion and curiosity. Alongside series director Kasai Kenichi (Honey and Clover, Nodame Cantabile) and Deko Akao (Flying Witch, Noragami, Snow White with the Red Hair) handling series composition, Amanchu has the creative minds behind it to make it a charming Iyashikei title.