Note: Spoilers for both Grimgar and Re:Zero are aplenty.
I appreciated Grimgar Of Fantasy and Ash after watching it to completion recently as a semi-marathon. For the most part, its character studies and the evident focus on atmosphere and a sense of place; rather than the much more often tread adventure fantasy with a clearly defined end goal of saving the world, has given the series a muted presence that ironically made its voice project louder amongst all the background noise. Similar things can be said about Re:Zero, now that it has finished its prolific rampage across the fandom’s collective stream of consciousness…though the reasons behind its highly resonant dual-season run were in complete contrast to Grimgar, as it projects its agenda of social commentary with unrelenting shamelessness and sincerity. In the end, while both series has no doubt invited significant viewership, and inevitable controversy on their respective handling of narrative delivery, I found myself once again standing right in the middle of the crossfire: appreciating what both shows have so admirably achieved, while also contemplating about their various failings.
So Subaru got his wish: he got to cry in his favourite girl’s lap. If I was being honest, Emilia’s first introduction as Satella, her overly nice disposition and her seemingly blind belief in Subaru, had started to make me suspicious…I’m hoping that I’m wrong of course, but might as well put up shields while I still have the time.
In terms of the narrative flow thus far, episodes 8 and 9 achieved strides in key story beats that helped progressed the plot in a steady pace, while also expanding the mythos of the world.
Yeahhh…so a multitude of issues during the last few weeks kinda kept me from the keyboard again: a combination of family issues and a certain feeling of lack of inspiration, after I managed to churn out a ridiculously wannabe-scholar piece on Piano no Mori, and following that up with a ‘talking about life’ piece on Cowboy Bebop. I think I might’ve overspent myself a bit.
So yeah, I’m back and this time, I’m tackling four episodes of Re:Zero. Trust me, the locations of episodes 4 to 7 may be stagnant, but somehow, the series kept it interesting, with episode 7 being its most consistently serious one yet. Despite the minor shakeups with pacing and logic jumps, Re:Zero still stands proud as a relative highlight of this season.
Ahh…so this series is going for a fantasy adventure vibe. I kinda dig it!
The plot-specific developments of the story thus far, has sold it as a journey-centric mystery, focusing on the historical intrigues of the characters and the fantastical power plays of this world. In this publication, I decided to focus a bit more on our main character Subaru, since I find his balance of genre-savviness and lack of good fortune (getting killed twice by one crazy woman? The ultimate friend zone) really interesting on a characterisation level.
Slowly easing my way back, here’s another one I’ve written for UnimeTV.
Wanting to add some more flare into my blogging life, I decided to take upon the obligation of trying out a biweekly review schedule for the Spring 2016 anime series Re:Zero. Without skimping on quality and the level of detail I dictate myself upon, I now have a baby that I really DO need to nurture constantly. Or the bossmen will kill me.
Anyways, I had a blast analysing the first Re:Zero, episode: plenty of underhanded self-awareness, subtle world building and the usual hair-raising ending hooks that begs one to want more (or…turn away in disgust, with their eyes rolling towards the back of their skulls). Needless to say, I recommend fantasy lovers to give it a shot, might be fun.
For my third and final venture into the best of anime 2015, I determine the overall winners of the year.
Below are my meticulously considered titles and studios that will be competing for and winning the Funomenon Globe (Took me 5 seconds to come up with this name…so it’s AWESOME. Design & 3D render pending.)for Best TV & Film Soundtracks, Top-Performing Studio and Favourite Anime of 2015.
(What’s with people rushing their top lists…even the Oscars are STILL contemplating on last year, and how to stump poor ol’ DiCaprio…)
Some mindless yapping first.
About a few weeks ago, I marked my first year anniversary as a regular anime follower. What has always amazed me by myself (yeah…self-centred asshole…), is how quickly I can adapt and project myself into new fandom communities: it took me one photograph to fall in love with photography, it took me a few days and a few dozen albums to fall in love with film music. It took me only a year to complete basically enough anime shows and films to sustain long conversations with people, who have been following anime for years. I completed no less than 100 titles, OVAs and films in 2015, around 37 days’ worth of content (or 53280 minutes), and have familiarized myself with enough anime-isms to be able to analyse in-depth and engage in fanboy arguments during my university’s anime society get-togethers. Overall, anime has greatly improved my enjoyment of life: I have one more passion to engage with other people of common interests, and good animation satisfies my love for great art. I am thankful for that.
If you have a) any knowledge of moe and slice of life, b) a love for moe and slice of life, c) an intense hatred for moe and slice of life, or d) read enough of my posts to notice a common pattern in subject matters, then you would be aware of the basic recipe for success of such shows: the construction of a world that’s charming and relaxing, and a cast of characters who are teeth-rottingly adorable.