This post acts as an accompaniment to my thesis on Tamayura OVA.
Final say: CERTIFIED FUNOMENAL
The iyashikei genre of anime has been a sanctuary for this writer/photographer/student, ever since joining the anime fandom a year ago; the seemingly effortless grace of the shows I’ve watched from this genre can be proud to include Tamayura, as well. This OVA’s magnum opus is its gentle atmosphere, which works to inflict the viewer with subtle urges of artistic inspiration without obvious implications of preachiness.
Needless to say, lovers of gentle shows with a curious artistic devotion to the normality of human lives, and with no difficultly twisted plots and characters, will find a lot to indulge upon here. It is certainly a love letter to all artists, and one which all recipients should accept and embrace.
There’s a general consensus, that photographs are just fragments of frozen time and moments, nothing more. We take them on a whim, hoping to save a split second of amazement or amusement, and in a world where social media and smartphones rule societies, it seems that the significance of photographs are becoming less…intimate.
In reality, there exists an almost…interdimensional relationship between a photo, its subject and the photographer: there’s a REASON WHY a photo was taken and WHY this particular subject was chosen, framed and shot. These actions acuminate from personal emotions and attachments between the documenter and the documented. Photographs that are…truly wonderful are those that had managed to capture a fragment of heartfelt fervour when the shutter button was pushed…or where a moment of preciousness fluttering through the air was captured permanently onto a single, perfect image.