Slowly easing my way back, here’s another one I’ve written for UnimeTV.
Wanting to add some more flare into my blogging life, I decided to take upon the obligation of trying out a biweekly review schedule for the Spring 2016 anime series Re:Zero. Without skimping on quality and the level of detail I dictate myself upon, I now have a baby that I really DO need to nurture constantly. Or the bossmen will kill me.
Anyways, I had a blast analysing the first Re:Zero, episode: plenty of underhanded self-awareness, subtle world building and the usual hair-raising ending hooks that begs one to want more (or…turn away in disgust, with their eyes rolling towards the back of their skulls). Needless to say, I recommend fantasy lovers to give it a shot, might be fun.
For weeks now, I’ve been contemplating on the nature of fandoms. Rather than a purely intellectual study, I decided to approach this curiosity with a sense of self-discovery: relying on my 5 senses and observing how fandoms materialise from the culture in which they are surrounded with. To frame this little thought experiment of sorts of mine, I decided to briefly analyse the personality of the 2007 hit Lucky Star.
Just a little spur-of-the-moment post, after having some time to reflect on the base of influences that eventually shaped up this figure of ‘me’, and last week’s stream of less-than-gratifying encounters, both face-to-face and virtually.
To no surprise for this aniblogger, anime is alive and well in 2016, and has shown to still have a couple of aces down its sleeve, even if a few of them were misplayed during this still ongoing match. Rather unsurprisingly. the collective crowd has already crowned their champion of the season, despite being just halfway into Winter 2016, leaving behind straggling titles who were overlooked for their limited appeal in subject matters, but were no less intelligent and artistic in their ability to captivate the more observational consumers and gem miners.
Let us delve into the Winter season through my eyes, as I glance back into the 7 weeks that has just passed.
Warning: Against my conventional tendencies, a considerably increased amount of cursing will be circulating around this particular publication, and won’t be censored. Naturally, reader discretion is advised.
It’s impossible, really, when it comes to determining what you loved more, after walking out of an opening day Deadpool showing: the film’s disregard for superficial rules, Deadpool being the biggest asshole, the crowd who laughed because you laughed at a joke that only you got (well…that WAS the hope), or when you laughed in an instinctive response to the audience’s laughter: attending film viewings with huge crowds can be the most amazing thing, if you somehow managed to find a balance between an audience with lively and responsive dispositions but also a crowd that’s respecting and understanding about NOT BEING A FUCKING LOUD AND DISTRACTING ASSHOLE. Sydney crowds do a generally good job with that…well, at least with my measuring balance being American crowds, as narrated by Youtube film critics.
I believe in the practice of casting a wide net from the get go, to reel in the best catch. Granted, I will have to deal with a multitude of indigestible garbage and an occasional shopping cart or human carcass, but this way, I can taste-test a wide range of shows, before settling with what to follow, drop or slot into my watchlist.
It’s because of this practice, that I usually start the season running with a dozen shows at least, before it dwindles into 3 or 4 shows I will still be following weekly after 5 or 6 rounds. The shows I stopped following and my reasoning vary, from ‘It’s not my type of show’ to ‘this will look great on 1080p BD’… or ‘This is too epic to NOT marathon’. There’s also added dilemma in what shows work better with a English dub. Then there’s the always fascinating slew of Funimation broadcast dubs. We are definitely in the future.
If you have a) any knowledge of moe and slice of life, b) a love for moe and slice of life, c) an intense hatred for moe and slice of life, or d) read enough of my posts to notice a common pattern in subject matters, then you would be aware of the basic recipe for success of such shows: the construction of a world that’s charming and relaxing, and a cast of characters who are teeth-rottingly adorable.
Perhaps the best way to describe Kyoto Animation’s venture with Hibike! Euphonium is by literally contradicting myself: it is a work of complex simplicity. The emotional dissonance that exists, when a large group of individuals come together is typical of the atmosphere that you may find in a musical ensemble. Long story short, this OVA works as an alternate perspective provider on the emotional climax towards the latter end of the series, and it does it superbly.
The thing about choosing home cities and time zones: The mere fact that you live 12 hours in the future of most U.S. release dates (which for some reason, are all the important ones for Pop culture), means that sometimes, you get to be part of a worldwide Funomenon (shameless plug haw haw haw): being among the first in the world to watch the newest Star Wars film. Interestingly enough, the most bizarre thing about this entire adventure saga for me personally, actually came from the ticket booking incidents. Sure, I will talk about my thoughts on the movie (FYI it was good, so no worries!), but being the ranter that I am, I need to start from the beginning: how a Star Wars casual scum suddenly decided to supposedly fight teeth and bones to watch the film on the 17th of December, a day ahead the rest of the world?
The renowned director’s newest film, Kimi no Na wa | Your Name, will be debuting August 2016, featuring staff including Movie Director Shunji Iwai (Hana to Alice: Satsujin Jiken) and main casts, Ryuunosuke Kamiki and Moka Kamishiraishi.
Tagline of the key visual: I am searching for you, whom I have never met yet.