For my second and final venture into the best of anime 2016, I determine the overall winners of the year.
Yes, for whatever reason, ATMA & Funomena is still alive and kicking. I also got into the elites’ club by being featured on the ThatAnimeSnob Reddit board. Truly an honour.
2016 was a horrible year (yes I’m one of those, deal with it) that was unfashionably kind to me as a blossoming anime fan and…maturing adult (somehow, these two do go hand-in-hand for me). I got myself a new (and first) decent-paying job, I started collecting anime, music and film merch like crazy. I watched too much anime.
And to think I don’t have to write any more words about film music for the rest of my life…”You’ve written more than enough“, some might say.
Like I always say, there’s something inherently magical about film music. I wouldn’t miss it for all the unoriginality (I prefer the word ‘homage’) that it so proudly displays at every glorious turn or twist. So. Let us have our 7 minutes and 38 seconds of pure bliss, away from the politics, away from 2017. Let’s go back to 2016 for just another few moments.
(Yes. You can pretty much guess my winners from just reading the above paragraph.)
I really shouldn’t be calling this half-season anymore, huh…
Eh, whatever. ONWARD!
For Part II, I decided to have a little fun, with highlights for not just my favourite -deres and pretty boys, but also my picks for the year’s most memorable, notable and absurd ships, good and bad.
Strap yourselves in, folks, in case you are angered that your yaoi or yuri fantasies weren’t fulfilled. (and incest isn’t wincest…unless I say it is.)
(What’s with people rushing their top lists…even the Oscars are STILL contemplating on last year, and how to stump poor ol’ DiCaprio…)
Some mindless yapping first.
About a few weeks ago, I marked my first year anniversary as a regular anime follower. What has always amazed me by myself (yeah…self-centred asshole…), is how quickly I can adapt and project myself into new fandom communities: it took me one photograph to fall in love with photography, it took me a few days and a few dozen albums to fall in love with film music. It took me only a year to complete basically enough anime shows and films to sustain long conversations with people, who have been following anime for years. I completed no less than 100 titles, OVAs and films in 2015, around 37 days’ worth of content (or 53280 minutes), and have familiarized myself with enough anime-isms to be able to analyse in-depth and engage in fanboy arguments during my university’s anime society get-togethers. Overall, anime has greatly improved my enjoyment of life: I have one more passion to engage with other people of common interests, and good animation satisfies my love for great art. I am thankful for that.
A Year With a Lot of Reawakenings
Allow me to temporarily defect to the West once more, as I look over how 2015 has treated my other passion: film music.
I believe in the practice of casting a wide net from the get go, to reel in the best catch. Granted, I will have to deal with a multitude of indigestible garbage and an occasional shopping cart or human carcass, but this way, I can taste-test a wide range of shows, before settling with what to follow, drop or slot into my watchlist.
It’s because of this practice, that I usually start the season running with a dozen shows at least, before it dwindles into 3 or 4 shows I will still be following weekly after 5 or 6 rounds. The shows I stopped following and my reasoning vary, from ‘It’s not my type of show’ to ‘this will look great on 1080p BD’… or ‘This is too epic to NOT marathon’. There’s also added dilemma in what shows work better with a English dub. Then there’s the always fascinating slew of Funimation broadcast dubs. We are definitely in the future.