The extraordinarily persistent anime series and franchise Sound! Euphonium gained a new entry, in the form of a cinematic spin-off Liz and the Blue Bird by director Naoko Yamada, hot off the heels of her high-profile A Silent Voice manga adaptation.
Also marking the second time they’ve worked together, Yamada enlisted Kensuke Ushio as the film’s composer, evidently the beginnings of a thriving professional relationship between two young and already prominent practitioners of their respective art forms.
The following is a translation of the interview with the composer, published at lisani.
In considering the ever-changing landscape of the multi-medium phenomenon that is Media, it is imperative that an overarching, theoretical concept, can strike a delicate balance between concrete, set-in-stone statements that roots all sub-concepts, and a malleable nature that allows new modern concepts to be safely slotted in and expand along with time, without much friction with the universal personality of the overarching theories; theories and concepts that concerns themselves with explaining the media and its relationship with human society. In this essay, I analyse Nicolas Couldry’s concept of ‘media rituals’, and consider what it achieves in explaining media’s role in society, how it performs in contemporary society and what has being done in refining this concept.Read More »
After taking a year off this format while I readjusted to the fandom and determined how I should follow seasonal shows, the seasonal first impressions is back, and it is now a much more casual setting: no more ratings, staff/genre run downs and a shorter length.
Not sure where I heard it, but the perfect completed anime to favourite anime ratio is a clean-cut 10:1: meaning that now that I’ve completed over 200 anime in total (according to MAL at least), I get to update my favourite anime to a list of 20. And that’s good news and bad news.
I never intended to write another post on Tsuki ga Kirei. My analysis of episodes 1-4 felt pretty definitive in regards to unpacking my very positive impressions of the show overall. At the time of publication, at least. For the most part, I felt I have no more to say about it.
Instead, the show decided to up its ante with each passing episode, all the while making me realise, just how much detail I’ve missed from the episodes I thought I’ve covered quite thoroughly. Sigh…*
Akane carries around a tiny mascot doll as a lucky charm. She instinctively rubs it when she gets nervous.
Kotarou is self-conscious about his writing. He gets into a boxing match with the lamp cord when he gets anxious.
It is a delicate task, trying to depict the awkwardness of the adolescence. How does one depict such a confusing part of life, when those who are currently experiencing it are too moody and self-absorbed to bother understanding it, and those who have already experienced it can no longer provide the organic, first hand accounts?
In my first EVER paycheck this month, I earned more than Mum if we both worked the same number of hours that week. Most people would leave this milestone behind as something to be proud of: after all, Mum now has another source of pride for her son.
However, in an eventual spiral of emotions ranging from pride, eagerness to spend everything I just earned, and bittersweetness; since this milestone means another step towards total independence…I eventually arrived at that familiar door of guilt again. Remember my stories from last month?