(What’s with people rushing their top lists…even the Oscars are STILL contemplating on last year, and how to stump poor ol’ DiCaprio…)
Some mindless yapping first.
About a few weeks ago, I marked my first year anniversary as a regular anime follower. What has always amazed me by myself (yeah…self-centred asshole…), is how quickly I can adapt and project myself into new fandom communities: it took me one photograph to fall in love with photography, it took me a few days and a few dozen albums to fall in love with film music. It took me only a year to complete basically enough anime shows and films to sustain long conversations with people, who have been following anime for years. I completed no less than 100 titles, OVAs and films in 2015, around 37 days’ worth of content (or 53280 minutes), and have familiarized myself with enough anime-isms to be able to analyse in-depth and engage in fanboy arguments during my university’s anime society get-togethers. Overall, anime has greatly improved my enjoyment of life: I have one more passion to engage with other people of common interests, and good animation satisfies my love for great art. I am thankful for that.
This post acts as an accompaniment to my thesis on Tamayura OVA.
Final say: CERTIFIED FUNOMENAL
The iyashikei genre of anime has been a sanctuary for this writer/photographer/student, ever since joining the anime fandom a year ago; the seemingly effortless grace of the shows I’ve watched from this genre can be proud to include Tamayura, as well. This OVA’s magnum opus is its gentle atmosphere, which works to inflict the viewer with subtle urges of artistic inspiration without obvious implications of preachiness.
Needless to say, lovers of gentle shows with a curious artistic devotion to the normality of human lives, and with no difficultly twisted plots and characters, will find a lot to indulge upon here. It is certainly a love letter to all artists, and one which all recipients should accept and embrace.