Continuing on with the format I established with the SFF earlier this year, I will be sharing some thoughts I had watching a new roster of Japanese cinema, in the midst of a unusually busy season of films for me (last I checked, I had 11 movie tickets already lined up for November and December).
Regular readers many already be familiar with how my lineups usually look, and while I am always looking for opportunities to inch beyond my tendencies and preferred genres, I believe that this comfort zone of mine is at least diverse enough for surprises, while also satisfying my own tailored love for cinema.
Not sure where I heard it, but the perfect completed anime to favourite anime ratio is a clean-cut 10:1: meaning that now that I’ve completed over 200 anime in total (according to MAL at least), I get to update my favourite anime to a list of 20. And that’s good news and bad news.
By golly, 6 months in and I’m still keeping this up.
And yes, I realize how late this is. My apologies: a slew of life-related issues has hampered my potential output during the past 2 months, which has a been a period of both highs (I managed to write some of my best work for this blog) and lows (workplace arguments and private family issues).
Unlike Winter, Spring 2016 looks to be a season dotted with multiple flagpoles of dominance, both in terms of genre devotion and popularity contests. ERASED dominated the dialogue of Winter 2016, with voices raised as the community were seemingly split over its visually deliberate storytelling and the apparent incomplete plot progressions. While I may still be hesitant in joining the collective in terms of choosing the season’s best offering, it is my belief, that the slice of life genre has received one of its biggest and strongest showings in recent memory, as multiple titles eagerly showcased the wide ranging personalities of the genre in glorious fashions, though some may have bitten off more than they could swallow.
Nevertheless, Spring 2016 looks to be another varied and strong anime season, and the optimism is only heightened by what awaits later in the year (Yamada-san, crush them all when Fall arrives.)
To no surprise for this aniblogger, anime is alive and well in 2016, and has shown to still have a couple of aces down its sleeve, even if a few of them were misplayed during this still ongoing match. Rather unsurprisingly. the collective crowd has already crowned their champion of the season, despite being just halfway into Winter 2016, leaving behind straggling titles who were overlooked for their limited appeal in subject matters, but were no less intelligent and artistic in their ability to captivate the more observational consumers and gem miners.
Let us delve into the Winter season through my eyes, as I glance back into the 7 weeks that has just passed.
For my third and final venture into the best of anime 2015, I determine the overall winners of the year.
Below are my meticulously considered titles and studios that will be competing for and winning the Funomenon Globe (Took me 5 seconds to come up with this name…so it’s AWESOME. Design & 3D render pending.)for Best TV & Film Soundtracks, Top-Performing Studio and Favourite Anime of 2015.
(What’s with people rushing their top lists…even the Oscars are STILL contemplating on last year, and how to stump poor ol’ DiCaprio…)
Some mindless yapping first.
About a few weeks ago, I marked my first year anniversary as a regular anime follower. What has always amazed me by myself (yeah…self-centred asshole…), is how quickly I can adapt and project myself into new fandom communities: it took me one photograph to fall in love with photography, it took me a few days and a few dozen albums to fall in love with film music. It took me only a year to complete basically enough anime shows and films to sustain long conversations with people, who have been following anime for years. I completed no less than 100 titles, OVAs and films in 2015, around 37 days’ worth of content (or 53280 minutes), and have familiarized myself with enough anime-isms to be able to analyse in-depth and engage in fanboy arguments during my university’s anime society get-togethers. Overall, anime has greatly improved my enjoyment of life: I have one more passion to engage with other people of common interests, and good animation satisfies my love for great art. I am thankful for that.
(SPOILERS! It’s a bloody reaction post, sir, do try to notice the flipping obvious…)
Let me steal a bit from my own previous publication: Haruchika shares waaayyyyy too much incidental similarities with BOTH Hibike! Euphonium AND Hyouka. Andfor me to just…ignore it, is simply injustice.
Well, after watching one episode, the overlapping just increased a notch. After identifying that Haruchika is about a mystery-solving brass instrument band club…with a name that ALSO starts with an ‘H’, P.A. Works’ latest NOVEL adaptation also introduces another certain dynamic, one which also plays in an eerily similar manner to Hibike’s romantic situations…
I believe in the practice of casting a wide net from the get go, to reel in the best catch. Granted, I will have to deal with a multitude of indigestible garbage and an occasional shopping cart or human carcass, but this way, I can taste-test a wide range of shows, before settling with what to follow, drop or slot into my watchlist.
It’s because of this practice, that I usually start the season running with a dozen shows at least, before it dwindles into 3 or 4 shows I will still be following weekly after 5 or 6 rounds. The shows I stopped following and my reasoning vary, from ‘It’s not my type of show’ to ‘this will look great on 1080p BD’… or ‘This is too epic to NOT marathon’. There’s also added dilemma in what shows work better with a English dub. Then there’s the always fascinating slew of Funimation broadcast dubs. We are definitely in the future.