You know…I went into starting this post with snippets of ideas for the intro: something snappy, a humorously depressing comment on 2017, and end it with a cheesy flavour of hope. But instead…I ended up with this.
I think I’ve sampled more albums than I ever did in 2017: more varieties of artists both old favourites and new discoveries, an increasingly diverse set of classical repertoires, genres and origins. That comes with good news and bad news, and I think the good news is kinda obvious already. But the bad news: I’ve listened to less albums COMPLETELY than the past two years, since there’s always something I want to jump onto prematurely.
Nevertheless, I think it’s best I keep up this tradition of massive yearly reviews, where I get to highlight the world of background music, and to continue bastardising this idiotic concept that such music ‘shouldn’t be noticed’.
(Page numbers are below the ‘related articles’ section. Please excuse its odd placing, as WordPress doesn’t allow me to alter its position.)
Note: this publication is a highly extensive and lengthy endeavour that invite readers to refer back to for analytical ideas. In other words, it is written with a sea of wiki-style links to additional readings, clips and videos, endless subject matters, tangents and covers a lot of ideas. I recommend that you bookmark this page for future reference, whenever you feel the need for some creative writing ideas, or just some music-based observations you find difficulty in analysing or putting your ideas into words. I hope my efforts help you in that regard.
A few months ago, I went on a tweeting rampage:
Been watching a few game music concert streams on YouTube…sometimes I wonder about how scoring games is diff from scoring films.
The thing about choosing home cities and time zones: The mere fact that you live 12 hours in the future of most U.S. release dates (which for some reason, are all the important ones for Pop culture), means that sometimes, you get to be part of a worldwide Funomenon (shameless plug haw haw haw): being among the first in the world to watch the newest Star Wars film. Interestingly enough, the most bizarre thing about this entire adventure saga for me personally, actually came from the ticket booking incidents. Sure, I will talk about my thoughts on the movie (FYI it was good, so no worries!), but being the ranter that I am, I need to start from the beginning: how a Star Wars casual scum suddenly decided to supposedly fight teeth and bones to watch the film on the 17th of December, a day ahead the rest of the world?