Listening to Arthur Hnatek’s album ‘Melismetiq’ drove me to sleep one afternoon. The pianist’s fingers tenderly brushing the ivory keys. The trumpet beaming a yawning melody, gliding weightlessly above the warm pop and crackle of bass, drums and sprinkled electronics.
I didn’t fall asleep because I was bored to tears. The album silenced the haphazard noise in my brain. It calmed every fibre of my body. It was perhaps the first hour I spent doing nothing in months. It was perhaps the best nap I had in years.
I’d imagine that the first paragraph might’ve provoked you to let escape a yawn as well.
The fall season kinda fell right on top of uni finals, hence the lack of a first impressions. But now that’s over and done with, I can finally talk a bit more about this season’s incredibly diverse offering: no individual standouts, just a WHOLE slew of solid ideas, explored in…various degrees of clarity.
Not sure where I heard it, but the perfect completed anime to favourite anime ratio is a clean-cut 10:1: meaning that now that I’ve completed over 200 anime in total (according to MAL at least), I get to update my favourite anime to a list of 20. And that’s good news and bad news.
There is a sense of idyllic rhythm that Aria exerts when one allows him or herself to engage with its cinematic heartbeat. It’s obvious: everything has its own rhythm, its own footprint, when it makes contact with another existing entity. If one takes this idea far enough, existence is just another way to visualise and define relationships. And creating rhythm is but another expression for finding uniquity.
I don’t really have an absolute favourite show last season. I mean, if we were speaking in MAL scoring terms, nothing I finished in the Summer season I would score above a 7, if not the hypothetical 7.75/10.
Granted, I started but never finished Mob Psycho 100 (I know, I should. I will. Eventually.) I also never finished Sweetness and Lightning, and that’s a show that tugged at my heartstrings numerous times in just three episodes.
BUT. Moments. There are moments in shows that spoke volumes to me, whether its on a immediate emotional level, or on a more…philosophical and worldview level.
(Due to UnimeTV’s servers having major issues, all my posts there have been deleted, though I managed to salvage two of them. So here they are.)
Talk about the ultimate late bloomer.
The anime adaptation of Amanchu provided the creative canvas for a highly anticipated reunion of mangaka Kozue Amano (Aqua / Aria) and Satou Junichi (Aria the Animation, Princess Tutu, Tamayura) as chief director. The two individuals’ collaboration on the Aria series has deemed it one of the most highly acclaimed titles in the Slice of Life mega-genre, held in high regard for its rich and atmosphere-based storytelling, detailed and gorgeous setting design and immersive thematic explorations of human compassion and curiosity. Alongside series director Kasai Kenichi (Honey and Clover, Nodame Cantabile) and Deko Akao (Flying Witch, Noragami, Snow White with the Red Hair) handling series composition, Amanchu has the creative minds behind it to make it a charming Iyashikei title.
Trying out a new jam for this season: instead of having a two-parter half-season overview, I will write up a first impression post one week into the season and pick out a few shows worth talking about for a condensed half-season overview. As for the end-of-season write-ups…I’m not sure about them yet, since I tend not to complete shows on time before another season starts up.
I will be adopting the overview’s rating system, but for the first impression, only shows that I have made clear conclusions for will be given a rating.
Now, with the introduction out of the way, these are the shows I’ve taste-tested thus far.
This post acts as an accompaniment to my thesis on Tamayura OVA.
Final say: CERTIFIED FUNOMENAL
The iyashikei genre of anime has been a sanctuary for this writer/photographer/student, ever since joining the anime fandom a year ago; the seemingly effortless grace of the shows I’ve watched from this genre can be proud to include Tamayura, as well. This OVA’s magnum opus is its gentle atmosphere, which works to inflict the viewer with subtle urges of artistic inspiration without obvious implications of preachiness.
Needless to say, lovers of gentle shows with a curious artistic devotion to the normality of human lives, and with no difficultly twisted plots and characters, will find a lot to indulge upon here. It is certainly a love letter to all artists, and one which all recipients should accept and embrace.
There’s a general consensus, that photographs are just fragments of frozen time and moments, nothing more. We take them on a whim, hoping to save a split second of amazement or amusement, and in a world where social media and smartphones rule societies, it seems that the significance of photographs are becoming less…intimate.
In reality, there exists an almost…interdimensional relationship between a photo, its subject and the photographer: there’s a REASON WHY a photo was taken and WHY this particular subject was chosen, framed and shot. These actions acuminate from personal emotions and attachments between the documenter and the documented. Photographs that are…truly wonderful are those that had managed to capture a fragment of heartfelt fervour when the shutter button was pushed…or where a moment of preciousness fluttering through the air was captured permanently onto a single, perfect image.