Revue Starlight Roundtable Discussion | A Revue With The Music Production Team – Part II

As September 2018 draws to a close, the TV anime Shojo Kageki Revue Starlight has, for the moment, come to an end. Now that everything has come to light, we are able to deliver the second half of the roundtable discussion between the music producers, Teppei Nojima (Pony Canyon) and Kohei Yamada (UPDREAM), and the lyricist, Kanata Nakamura. In it we look back on the revue songs that have accompanied the dramatic developments of the second half of the series, and ask about their overall thoughts as they strove to produce a ‘musical x anime mixed media’ project – something that has never been done before.

Roundtable Part I

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Revue Starlight Roundtable Discussion | A Revue With The Music Production Team – Part I

Shojo Kageki Revue Starlight: the franchise that has taken its ‘musical x anime mixed media’ concept and turned it into a myriad of different projects. The TV anime, which has been one of the franchise’s main pillars, will soon be coming to an end. What are the secrets behind the revue songs that have appeared in nearly every episode, leaving a strong impression on the viewers in their wake? LisAni will attempt to answer this question by diving into a roundtable with the show’s staff. In part 1 of this talk between three of the music production team – the music producers, Teppei Nojima (Pony Canyon) and Kohei Yamada (APDREAM), and the lyricist, Kanata Nakamura – we will be looking back on the songs that featured in the first half of the series.

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Violet Evergarden Fanbook Interviews: Akiko Takase | Highlights, High Heels & Suspenders

In this latest series of interview translations, ATMA & Funomena will be presenting comments and observations of three prominent voices from the production of Violet Evergarden, concluding with Chief Animation Director Akiko Takase.

These translations are offered to fans of the series as material supplements for the making-of documentary-style video by the YouTube channel Under the Scope.

The original interviews were conducted and published in the Violet Evergarden Official Fanbook.

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Violet Evergarden Fanbook Interviews: Haruka Fujita | Nurturing a Blank Slate

In this latest series of interview translations, ATMA & Funomena will be presenting comments and observations of three prominent voices from the production of Violet Evergarden, continuing with series director Haruka Fujita.

These translations are offered to fans of the series as material supplements for the upcoming making-of documentary-style video by the YouTube channel Under the Scope.

The original interviews were conducted and published in the Violet Evergarden Official Fanbook.

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Violet Evergarden Fanbook Interviews: Taichi Ishidate | Earnestness, Immersion & Subtlety

In this latest series of interview translations, ATMA & Funomena will be presenting comments and observations of three prominent voices from the production of Violet Evergarden, starting with director Taichi Ishidate.

These translations are offered to fans of the series as material supplements for the upcoming making-of documentary-style video by the YouTube channel Under the Scope.

The original interviews were conducted and published in the Violet Evergarden Official Fanbook.

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Violet Evergarden Composer Interview: Evan Call | From Berklee to Leidenschaftlich

An instant crowd-pleaser, in spite of the disjointed international release schedule by Netflix, Violet Evergarden is a labour of love for the tight-knit Kyoto Animation team. In search of music that can reflect the quiet intensity of the melodrama on display, Japan-based American composer Evan Call was instructed to construct the sentimental anchor of the entire production.

The following is a translation of the interview printed in the Violet Evergarden Original Soundtrack booklet, conducted with the composer and series music producer Shigeru Saito.

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ATMA & Funomena is now on Patreon!

Greetings, fellow readers.

Just a quick note, in regards to this new development. 2017 was a relatively spotty year for this blog: while my upload frequency has somewhat dropped, the quality and diversity of coverage I was able to afford has expanded. I’ve published and co-commissioned interviews and transcripts, extended essays, in addition to my usual collection of thought pieces, summaries and capsule reviews.

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