Princess Principal was an action-adventure highlight of Summer 2017, and a big part of this resonance with the fandom was undoubtedly the high-octane musical identities afforded to the production by its arranger/composer duo of rising star Ryo Takahashi (ACCA: 13-ku Kansatsu-ka, Classroom of the Elite), and prolific veteran Yuki Kajiura (Kara no Kyoukai, Fate/Zero, Sword Art Online, ERASED).
The following is a translation of the interview conducted with the two composers by Natalie Music.
After taking a year off this format while I readjusted to the fandom and determined how I should follow seasonal shows, the seasonal first impressions is back, and it is now a much more casual setting: no more ratings, staff/genre run downs and a shorter length.
By golly, 6 months in and I’m still keeping this up.
And yes, I realize how late this is. My apologies: a slew of life-related issues has hampered my potential output during the past 2 months, which has a been a period of both highs (I managed to write some of my best work for this blog) and lows (workplace arguments and private family issues).
Unlike Winter, Spring 2016 looks to be a season dotted with multiple flagpoles of dominance, both in terms of genre devotion and popularity contests. ERASED dominated the dialogue of Winter 2016, with voices raised as the community were seemingly split over its visually deliberate storytelling and the apparent incomplete plot progressions. While I may still be hesitant in joining the collective in terms of choosing the season’s best offering, it is my belief, that the slice of life genre has received one of its biggest and strongest showings in recent memory, as multiple titles eagerly showcased the wide ranging personalities of the genre in glorious fashions, though some may have bitten off more than they could swallow.
Nevertheless, Spring 2016 looks to be another varied and strong anime season, and the optimism is only heightened by what awaits later in the year (Yamada-san, crush them all when Fall arrives.)