Akane carries around a tiny mascot doll as a lucky charm. She instinctively rubs it when she gets nervous.
Kotarou is self-conscious about his writing. He gets into a boxing match with the lamp cord when he gets anxious.
It is a delicate task, trying to depict the awkwardness of the adolescence. How does one depict such a confusing part of life, when those who are currently experiencing it are too moody and self-absorbed to bother understanding it, and those who have already experienced it can no longer provide the organic, first hand accounts?
Opening remarks: I originally intended this piece to be a particularly academic-driven one…digging deep into the likes of Mark Lochrie & Paul Coulton’s article on shared viewing experiences or ‘Social TV’ and ‘Second Screen Devices’, and Alice E. Marwick’s paper on ‘Imagined Audiences and Context Collapse in Microblogging’. Elements of these studies are still retained in the final product, but I decided to keep discussion more centred on Dragon Maid and my own experiences in watching it…and ultimately deciding that it is an absolute new favourite.
Like I always say, there’s something inherently magical about film music. I wouldn’t miss it for all the unoriginality (I prefer the word ‘homage’) that it so proudly displays at every glorious turn or twist. So. Let us have our 7 minutes and 38 seconds of pure bliss, away from the politics, away from 2017. Let’s go back to 2016 for just another few moments.
(Yes. You can pretty much guess my winners from just reading the above paragraph.)
Your Name | Kimi no Na wa (I will be referring to the film via. the former title from now on) is essentially about progress through violation. The film is readily clear on that account, and certainly enough for any number of viewing audiences to immediately identify that about its cinematic delivery.
As common courtesy, I shall extend my praising hand towards a few bloggers who have intrigued (and shamed) me with their writings. I suppose I left it boiling there long enough, so I could use this opportunity to write a few notes about this blog’s 1st birthday as well.
As the nominees, you will:
Acknowledge the person who nominated you (and include a link to her/his/their blog)
Share 7 things about yourself
Nominate 5 bloggers (I searched around the web, the number here usually switch between 5, 7 or 10, so take your pick of your lucky number.)
Desire is an individualistic emotional construct that can almost ironically be considered the direct sibling of society-binding cultural norms, that indoctrinates individuals into adopting a collective mindset that does not stray far from the ‘normal’. What society deems desirable; however logical, the individual must desire as well. Individuals are constantly affected by the sometimes silent, but always prevalent pressures to buy, reshape and realign themselves back into the collective, popular narrative.
Note: Spoilers for both Grimgar and Re:Zero are aplenty.
I appreciated Grimgar Of Fantasy and Ash after watching it to completion recently as a semi-marathon. For the most part, its character studies and the evident focus on atmosphere and a sense of place; rather than the much more often tread adventure fantasy with a clearly defined end goal of saving the world, has given the series a muted presence that ironically made its voice project louder amongst all the background noise. Similar things can be said about Re:Zero, now that it has finished its prolific rampage across the fandom’s collective stream of consciousness…though the reasons behind its highly resonant dual-season run were in complete contrast to Grimgar, as it projects its agenda of social commentary with unrelenting shamelessness and sincerity. In the end, while both series has no doubt invited significant viewership, and inevitable controversy on their respective handling of narrative delivery, I found myself once again standing right in the middle of the crossfire: appreciating what both shows have so admirably achieved, while also contemplating about their various failings.
Starting a new column-of-sorts on this blog, aimed to both provide some much-needed support for Kickstarter projects that I am interested in, and to give some insight for my readers on the sort of things I’m interested in, be it comics, photography books, awesome product designs or ambitious animation productions. Two birds with one stone, essentially: I get to talk about creative projects that I think are awesome, while you guys get to know more about me.
It is unlikely that this will be a regular column that gets new posts every month, since I AM still just a uni student with limited budget. But if I do pledge for some things that I think are interesting enough all within the same month, I will churn out one of these. Anyway, hope you guys enjoy!
As active documenters and expressive anchors for their respective time periods, artists and creative practitioners all demonstrated engagements to the mechanics and characteristics of their time, which are in turn reflected by how they build upon their works, through utilizing tools and technologies of their time. As a result, significant advancements in human technological capabilities are readily reflected upon by artists, who finds new frames of perceptions for their audiences to experience their artworks, and find meaning through and from new mediums of expressions and sensual cues.
Trying out a new jam for this season: instead of having a two-parter half-season overview, I will write up a first impression post one week into the season and pick out a few shows worth talking about for a condensed half-season overview. As for the end-of-season write-ups…I’m not sure about them yet, since I tend not to complete shows on time before another season starts up.
I will be adopting the overview’s rating system, but for the first impression, only shows that I have made clear conclusions for will be given a rating.
Now, with the introduction out of the way, these are the shows I’ve taste-tested thus far.
The renowned director’s newest film, Kimi no Na wa | Your Name, will be debuting August 2016, featuring staff including Movie Director Shunji Iwai (Hana to Alice: Satsujin Jiken) and main casts, Ryuunosuke Kamiki and Moka Kamishiraishi.
Tagline of the key visual: I am searching for you, whom I have never met yet.