Capsule Review & Commentary: Promare

Director: Hiroyuki Imaishi

Animation Production: Trigger

Music: Hiroyuki Sawano

Genres: Action, Mecha

Season: Spring 2019

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Animerica Archives: Interview with Yukito Kishiro | The Beginnings of Alita’s Mangaka (and His Hollywood Dream)

Little did Yukito Kishiro know back in 1993, that the dream of seeing his manga on the silver screen would not only come true, but would take almost two decades to fulfil since the production was officially announced back in 2003.

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Princess Principal Composers Interview | Ryo Takahashi (Void_Chords), Yuki Kajiura

Princess Principal was an action-adventure highlight of Summer 2017, and a big part of this resonance with the fandom was undoubtedly the high-octane musical identities afforded to the production by its arranger/composer duo of rising star Ryo Takahashi (ACCA: 13-ku Kansatsu-ka, Classroom of the Elite), and prolific veteran Yuki Kajiura (Kara no Kyoukai, Fate/Zero, Sword Art Online, ERASED).

The following is a translation of the interview conducted with the two composers by Natalie Music.

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Ghost in the Shell & The Post-World Human | Identity & Self in a Cyber-Network

Duality: a simple but demonstratively cardinal term. The expressionistic properties of ‘duality’ alone can already form the metaphorical backbone of the most impressionable citings of physics, philosophy, mythology and visual arts in human history. Balance in its purest form constitutes two opposing beings; physical or otherwise, keeping each other in check. Gravity and mass, good and evil, light and dark. Man and machine.

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Funomenal Rear-view Contemplation: Best of Film & Game Music 2016

And to think I don’t have to write any more words about film music for the rest of my life…”You’ve written more than enough“, some might say.

NOPE.

Like I always say, there’s something inherently magical about film music. I wouldn’t miss it for all the unoriginality (I prefer the word ‘homage’) that it so proudly displays at every glorious turn or twist. So. Let us have our 7 minutes and 38 seconds of pure bliss, away from the politics, away from 2017. Let’s go back to 2016 for just another few moments.

(Yes. You can pretty much guess my winners from just reading the above paragraph.)

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Funomenal First Impressions: Anime Season Summer 2016

Trying out a new jam for this season: instead of having a two-parter half-season overview, I will write up a first impression post one week into the season and pick out a few shows worth talking about for a condensed half-season overview. As for the end-of-season write-ups…I’m not sure about them yet, since I tend not to complete shows on time before another season starts up.

I will be adopting the overview’s rating system, but for the first impression, only shows that I have made clear conclusions for will be given a rating.

Now, with the introduction out of the way, these are the shows I’ve taste-tested thus far.

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Condescending Reactions: Boku no Hero Academia Episode 1 | The Fine Line Between Sympathy and Pity

Fair warning: I make my distaste for various aspects of the show-in-focus very clear, as well as my eternal dislike for Naruto. While I do operate under the reality that I write with just my opinion at the forefront, without any sense of condescension towards those who loved these shows, I expect some feelings to be rather bruised, if those individuals don’t appreciate alternate perspectives.

Also, I’m writing without any knowledge of the Boku no Hero Academia manga material.

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Valentine’s Day: Tale Time Special | Deadpool Discussion, Uncensored

deadpool-movie-2016-international-poster[1]Warning: Against my conventional tendencies, a considerably increased amount of cursing will be circulating around this particular publication, and won’t be censored. Naturally, reader discretion is advised.

It’s impossible, really, when it comes to determining what you loved more, after walking out of an opening day Deadpool showing: the film’s disregard for superficial rules, Deadpool being the biggest asshole, the crowd who laughed because you laughed at a joke that only you got (well…that WAS the hope), or when you laughed in an instinctive response to the audience’s laughter: attending film viewings with huge crowds can be the most amazing thing, if you somehow managed to find a balance between an audience with lively and responsive dispositions but also a crowd that’s respecting and understanding about NOT BEING A FUCKING LOUD AND DISTRACTING ASSHOLE. Sydney crowds do a generally good job with that…well, at least with my measuring balance being American crowds, as narrated by Youtube film critics.

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