Kensuke Ushio is on the verge of becoming a household name in the western anime fandom, thanks to his exhilarating and sensitive contributions to numerous modern anime classics’ original soundtracks, namely Space Dandy (as part of LAMA), Ping Pong, A Silent Voice and the recently released Devilman: Crybaby.
However, Ushio already had a decade-old alter ego of sorts in his stage name agraph, which he adorns when producing and releasing his own solo albums, exploring the pure, unadulterated creative impulse within him. ‘the shader‘ is his third solo electronica album release.
The following is a translation of the interview conducted with the artist by Natalie Music.
Not sure where I heard it, but the perfect completed anime to favourite anime ratio is a clean-cut 10:1: meaning that now that I’ve completed over 200 anime in total (according to MAL at least), I get to update my favourite anime to a list of 20. And that’s good news and bad news.
Ever since the founding of this humble blog of mine, I’ve been meaning to do a ‘otaku lair’ post, or adding a page dedicated to showing off my merch, since that’s what people do. I find checking out other people’s collections to be a gratifying thing, in terms of find comradery in the fandom, so me writing and showing off my own would mean similar feelings of self-reassurance, in terms of convincing myself, that “Hey! I’m not the only one spending hundreds on that adorable Holo figure, I’ll be fine!”
Well, it’s been about two weeks, since the bombardment of holidays. Needless to say, after spending to get a pile of presents into my close friends and families’ laps, some leftover dough was left for me to spend on myself. So enjoy, as I show off what I got as gifts from friends, and from my own wallet.